Recently, while sitting in a café I found myself eavesdropping on the conversation at the next table. It was a group of five, all of them bright and twentyish, all dressed in skimpy fashionable clothes, all with well-mussed, multi-coloured hair, each sporting one or more tattoos on otherwise smooth and unmarked skin. They were playing a game of ‘My favourite Things’. Their voices were resonant, they laughed a lot. First there were favourite films, followed by favourite pieces of music. Then in quick succession came favourite shop, favourite brand, favourite device, favourite sexiest person, and lastly favourite colour.
Decades ago when Malcolm Fraser was prime minister, Tammy Fraser was asked in a radio interview her favourite colour – as if there were nothing more important to ask this particular first lady. To my horror she did not sound insulted nor did she hesitate.
Yellow, she replied, my favourite colour is yellow.
At the time Fraser, and all associated with him, were not favoured by the left. Even forgetting the limited merits of yellow, the fact that Tammy took colours so seriously – and favourites always help to define oneself – condemned her to remain where we on the left had unquestioningly put her.
Life was a much more simple affair back then.
And yet I have always had favourites.
In Bunuel’s Tristana, one of the characters looks for and finds the best green pea on the plate. I watched that scene and I recognised myself. I make a point, a private point of finding my favourite pea, my favourite potato chip, my favourite cherry. I have favourite flowers and trees, not botanical favourites, but a particular flower on a particular plant. My favourite elm stands near the Yarra River where Alexander Parade turns into Punt Road. My favourite oak, planted in the 1880s and recently cut down due to age and disease, was an Algerian Oak on the edge of the oak garden in Melbourne’s Botanic Gardens. I have an ever-expanding list of favourite books, I have favourite passages and verses from books (copied into the latest of several quote notebooks). I have favourite buildings and streets, favourite towns and cities, favourite paintings and sculptures, favourite musicians and musical compositions.
And I have a favourite letter.
A few years before Tammy’s interview I began keeping a personal dictionary. Frustrated at having to consult my Oxford dictionary for the same words over and over again – the meaning of certain words simply would not stick – I purchased a sturdy notebook, cut an index along the right-hand side for the letters of the alphabet and every time I looked up a word in Oxford’s dictionary I copied it into my own. I also decided to include in my dictionary interesting words whose meaning I knew, but in the haste and habits of everyday life I would forget I knew, words like ‘canker’ and ‘conceit’ and ‘clotted’ which when put with other words – clotted memories, family conceits, cankerous yearnings – spiced up this whole lovely business of words.
Years passed before I realised that the words of one letter ran to several more pages than any other in my personal dictionary. That letter was ‘p’. And now, along with parrots, the music of J.S. Bach and Bleu de Basque cheese, I rank ‘p’ words high on the scale of my favourite things.
Take ‘patina’ and ‘palimpsest’ and ‘pentimento’. For a person such as myself burdened with secrets these words supplied some gorgeous and relief-giving metaphors. And as an eighteen-year-old desperate to get away, peripatetic peregrinations encapsulated the freedom I longed for wrapped in the lyricism of travel. My sins became the far more acceptable peccadilloes, my pessimism was readily placated by propitious signs, my lack of perspicacity was less of a failure than purblindness. My sense of being at odds with the world, the perfidious world, run by pettifoggers who lacked prescience, found an effective panacea in ‘p’ words.
The appeal of ‘p’ certainly does not reside in its sound. That voiceless puff could never, for example, compete with the sonorous ‘m’ or the tricky ‘r’. The attraction is in the phantasmagoria of ‘p’ words. ‘P’ is the verbal imagination’s favourite child. Once I wrote a letter almost entirely with ‘p’ words – it was a perfect letter.
And if not for ‘p’ I would never have produced my one and only public work of art.
To describe my artistic ability as parsimonious would be to give it airs, so when I agreed to decorate a platter for a fund-raising auction conducted by the Jewish Museum I was understandably challenged. The platter arrived; it was 43 centimetres in diameter and very blank. I was rightly perturbed. I considered a pastiche of portraits cut from various papers but that would have publicised my lack of talent. I considered a range of lies to get me out of the whole thing, but pride stopped me. As the deadline approached and I was still procrastinating, my fears were palpable and my pride was heading for a fall.
And then it occurred to me: I would make a P-Plate.
In different sized fonts I typed out ‘p’ words. Perplexed, pungent, promise, painting, propinquity, piano, politics, people, philology, pertinacious, prose, poetry, 232 words in all. I cut out the words and glued them to my platter. And then I varnished the whole thing. I produced a high-gloss p-plate. And a person purchased it, a person of impeccable taste, and for quite a pretty price too.
Many things are not portable, but all favourite things are. It is the imagination which confers their status and bestows on them their delights. And it is in the imagination they remain special. The material world is so cluttered and cumbersome, but this world of favourite things is a paradise.